- Top is sheet steel gold finish.
- Base: Polished gold chrome finish.
It reflects a study of the passage from two to three dimensions based on observing the tanning of a quadruped’s hide. This taut skin evokes memories of the animal it once was. The same skin, pleated, gives us the three-dimensionality of a chair or armchair. The structure is a hexagonal network inspired by molecular geometry or a snowflake. The natural form of a skin for the chair’s upholstery. The rigorous geometry of Nature for its structure. Like the Inuit peoples who wear animal skins for protection, Nanook’s technical-fabric upholstery has tribal echoes. The pleated, three-dimensional skin is transformed into a contemporary object through the use of digital printing for the upholstery, and moulded synthetic material for the structure. Nanook seating – whose name derives from the protagonist of the first nature documentary in film history – preserves tribal memories while looking to the future and to technology with the same optimism with which Nanook observed his icy environment.”
by Philippe Bestenheider, 2008
Philieppe Bestenheider was born in Sion, Switzerland, in 1971. In 1998 he graduated in architecture from Zürich Polytechnic and has worked for Swiss and US design studios. In 2000 he achieved the Master in Industrial Design at the Domus Academy of Milan, where he has been invited as workshop leader. From 2001 until 2006 Bestenheider became Senior designer at the Design studio of Patricia Urquiola in Milan working with several of important companies. In 2006 he has been invited to partecipate at the Promosedia’s event. In 2007 he opens his own studio, works between Switzerland and Italy.